Vesele velikonočne praznike - Happy Easter

Vsem obiskovalcem bloga želim blagoslovljene praznike. Kristus je vstal, aleluja!

I wish a blessed Easter to all visitors of my blog. Christ is risen, alleluia!

Velikonočne voščilnice - Easter cards

Bliža se Velika noč. V mislih na voščilnice sem šla malo pogledat, kakšne "volnene" voščilnice sem že delala, tako malo za navdih. Rdeči in modri pirhi so iz sintetično barvane volne, ostalo je barvano z rastlinami.

Easter is coming in a few weeks. Thinking about cards to make I had a look at the pictures of those I have made in previous years, to get some inspiration so to say. The red and the blue eggs are made of synthetically dyed wool, all others are natural dyed.

Ni bil brasilwood, ampak logwood - Not Brasilwood but Logwood

Ni bil Brasilwood (Rotholz), ampak logwood (Blauholz). Uf, kako ta nemška imena zavajajo :-( Ves čas sem bila negotova, saj sem material dobila v dar, končno pa mi je dvome razpršila Jenny Dean, za kar sem ji hvaležna. No, ne glede na ime je tisto rdečkasto žaganje dalo krasne, močne barve. Pobarvala sem kar nekaj česane volne pa tudi preje. Ko mi jih zmanjka, bom uporabila še preostalo količino žaganja. --- No, it was not Brasilwood but Logwood. I had been given the material as a present and was told its name. Ugh, the German names can be so misleading :-( I was somehow uncertain as to the real nature of the material all the time, and then it was Jenny Dean to clear my doubts - thank you Jenny! Anyhow, regardless of its name the reddish sawdust gave gorgeous intense colours. I dyed both carded wool and yarn. When I run short of it I'll use the remaining amount of the sawdust.

Brazilwood (Rotholz)

Pred časom sem dobila rdečkast lesni drobir v vrečki z napisom Rotholz (Wollknoll). Nekaj dni sem ga namakala v vodi, nato odlila tekočino in pobarvala prvo štreno (na levi). Ni mi bila všeč. Nato sem se lotila bombažnega blaga. Posula sem drobir (skupaj z rabljenimi koreninami barvilnega brošča), za nekaj dni prepustila soncu, da opravi nalogo barvanja in si dala delat bluzo (na spodnjih slikah). Ni mi bilo všeč.Končno sem za nasvet povprašala na Yahoojevi skupini NaturalDyes in drobir skuhala z malo kisa. Krasni vijolični odtenki, zelo močne barve - zelo lepo! Pobarvala sem tudi nekaj bombažne prejice (obešeni sta na ovratniku bluze na spodnjih slikah), pa še nekaj česane volne. Barva menda ni preveč obstojna na svetlobi, zato je bolje, da material, barvan s tem lesom, ni na direktnem močnem soncu in tudi ne dalj časa na sončni svetlobi. Some time ago I was given some reddish wood chips saying it was Rotholz (from Wollknoll). I soaked them in tap water for a few days, poured the liquid off and dyed the first skein (from left). Didn't like it. Passed on to cotton fabric, placed the chips all over (together with used madder roots), sundyed it for a few days and had a blouse made (the pictures below). Didn't like it. Finally I asked for advice in Yahoo group NaturalDyes and boiled the chips together with some vinegar. The lovely purples, very intense, quite dark - beautiful! I also dyed some cotton yarn (placed two skeins on the collar of the blouse to show) and some carded wool. The colour is said to have only medium to poor lightfastness so direct sunlight or prolonged exposure to sun is best avoided.

Šentjanževka je carica - (2) - St. John's wort rules

Kot sem omenila v zadnji objavi, še ni bilo konec mojega ekperimentiranja s šentjanževko. Še naprej sem uporabljala isto barvilno kopel, delno do zelo izrabljeno. Barvala sem bombažno, volneno in laneno prejo. Enobarvno prejo sem dobila z barvanjem cele štrenice v kopeli, melirane pa sem dobila tako, da sem vlažno štrenico obesila nad lonec in v takočino potopila samo tretjino. Različna barvila, ki jih vsebujejo cvetki šentjanževke, so potovala novzgor po preji 24 do 48 ur in se ustavila različno visoko. Najbolj je bilo to opazno na volneni preji, kjer so nekatera mesta vijolična in zelenkasta (samo kaj ko se na sliki to ne vidi). Idejo sem dobila pri ascendentni kromatografiji - uf, kako znanstveno to zveni, mar ne! Žal pa vsi ti poskusi niso ponovljivi - preprosto povedano, iste barve lahko ponovno dobim zgolj slučajno - adijo znanstvenost :-( As I said in my last post that was not yet an end to my experimentation. Using the same, partly to very exhausted dyeing bath from St. John's wort flowers I dyed some cotton, wool and flax yarns. The solid colours were obtained by immersion dyeing while the variegated colours were obtained by suspending moist yarn over the pot, with the lower third of the skein immersed. I let the different colours climb up the moist yarn over 24 to 48 hours: they fixed at differing spots, which may be seen on the wool yarn with purplish and greenish spots (but the photo fails to show it). I was inspired by ascending chromatography - wow, this does sound scientific, doesn't it! Alas these experiments are failing in repeatability - saying in plain words, I can't obtain the same colours except by chance - very unscientific:-( Nadaljevala sem z isto delno izrabljeno barvilno kopeljo iz cvetov šentjanževke. Od leve desne si sledijo: bež bombažna prejica za vezenje, bela bombažna prejica za vezenje, bel lanen sukanec za klekljanje, bela bombažna prejica za vezenje, bela bombažna prejica za vezenje, +železova kopel, Vse so bile čimžane z galunom+pralno sodo (skupaj). bež bombažna prejica za vezenje, čimžana s taninom, bež bombažna prejica za vezenje, čimžana z galunom+pralno sodo, +železova kopel. Eksperimentiranje mi je bilo v užitek prav toliko kot sem vesela rezultatov. Vedno mi je hudo, da ne morem pokazati pravih barv: imam dobro kamero, a kaj ko so barve varljive, naravne pa še toliko bolj. Kar ne morem nehati ekperimentirati s šentjanževko. Verjetno bom septembra eksperimentirala z zrelimi rastlinami, z bunkicami s semeni in s posušenimi rožami. I went on with the same partly exhausted dyeing bath from St. John's wort flowers. From left to right they are: beige cotton yarn for stitching, white cotton yarn for stitching, white flax yarn for bobbin lace, white cotton yarn for stitching, white cotton yarn for stitching with iron afterbath, All were mordanted in alum and washing soda (together). beige cotton yarn for stitching mordanted with tanin, beige cotton yarn for stitching, mordanted in alum and washing soda, with an iron afterbath. I enjoyed the experimentation as much as I love the results. It always hurts me I can't show the real colours - the camera is a good one but the colours are tricky, and the natural colours even more so. I can hardly make myself stop experimenting with St. John's wort. I believe in September I'm going to experiment with mature plants, with seed balls and with dried material.